9.30 - 10.00
Registration (students)
10.00 – 11.40
Panel stream D
Panel D1: Virtual Realities and the Body [Aula 3]
Chair: Kjetil Rødje (University of Copenhagen, DK)
Delia Enyedi (Babeş-Bolyai University, RO)
3D Attractions: Recycling the Monomyth in the Post-Media Age
Maja Manojlovic (University of California, Los Angeles, USA)
Hanger in Los Angeles (2012): The “Outside”, the Lag, and the Blur – Space-Time and Embodied Situatedness in the Spherical Aesthetics of VR
Malvina Giordana (Università Roma Tre, I)
Losing the Sight, Growing in the Vision. Notes on Blindness: From Audio Recording to Virtual Reality Experience
Panel D2: Audiences and the Cinema-Going Experience [Aula 3bis]
Chair: Ilaria A. De Pascalis (Università Roma Tre, I)
Keyvan Sarkhosh (Max Planck Institute for Empirical Aesthetics, D)
For the Love of Bad Films: An Empirical Perspective on the Aesthetics of Trash Films and Their Audiences
Tatiana Charikleia Styliari (University of Nottingham, GB)
Moviegoing Rituals: Audiences Design Enhanced Cinematic Experiences
Landi Raubenheimer (University of Johannesburg, ZA)
Participatory Spectatorship of Mobile Phones in Science-Fiction Television: A Case of Zombification?
Mariana Medeiros Seixas (Université d’Avignon et des Pays de Vaucluse, F)
The Rise of a New Self-Referential Cinema Genre: Contemporary Fashion Film Aesthetics
Panel D3: Cinema e cultura visuale contemporanea [Aula 6]
Chair: Ivan Pintor Iranzo (Universitat Pompeu Fabra, E)
Vito Zagarrio (Università Roma Tre, I)
Bourne in the Usa
Marina Pellanda (Università IUAV di Venezia, I)
Nel cinema di Cronenberg l'alfa e l'omega delle immagini
Edoardo Becattini (ricercatore indipendente, I)
Caves of forgotten feelings. Figure dell’immersione in Under The Skin
Mirko Lino (Università dell’Aquila, I)
Fantasmi postmediali: corpi, sessualità e intelligenze artificiali in Her ed Ex-Machina
Panel D4: Aesthetics and Image Chemistry [Aula 7]
Chair: Laura Leuzzi (University of Dundee, GB)
Rossella Catanese (Sapienza Università di Roma, I)
Handmade Films: The R.E.M.I. Project and the Photochemical Emulsion
Emile Shemilt (University of Dundee, GB)
Celluloid Film Futures: Ideologies Behind the Continued Use of Celluloid Film in The Digital Era
Sara R. Yazdani (University of Oslo, N)
In Flux: Art and Materiality in the Photographic Work of Wolfgang Tillmans
Panel D5: Refiguring the Body: Immersion, Action, Performance [Aula 8]
Chair: Francesco Parisi (Università degli Studi di Messina, I)
Florian Mundhenke (University of Leipzig, D)
Immersion and Body Involvement – New Approaches of Analysing the Cinema-Going Experience
Jacqui Knight (Plymouth University, GB)
The Contact Sheet as a Viable Conduit to Cognition in Action
Francesca Scotto Lavina (Sapienza Università di Roma, I)
Kalós eidos skopéo: The Film Text as an Allopoietic “Affective” Machine
11.40 – 12.00
Coffee break
FRIDAY, NOVEMBER 25
12.00 – 13.30
Keynote lecture 3 [Aula 1]
Paolo Bertetto (Sapienza Università di Roma, I)
L’intensità estetica e il cinema / Aesthetic Intensity and Cinema
English Translation
Respondent: Guglielmo Pescatore (Università degli Studi di Bologna, I)
13.30 – 15.00
Lunch
15.00 – 16.30
Panel stream E
Panel E1: Affect, Phenomenology, Animism [Aula 3]
Chair: Rossella Catanese (Sapienza Università di Roma, I)
Saige Walton (University of South Australia, AUS)
Merleau-Ponty, Film and the Depth-Full Aesthetics of Heart of a Dog (2015)
Chiara Dionisi (Università Roma Tre, I)
Ecologizing the Body, Decolonizing the Soul: Towards a Neo-Animistic Theory of Cinema
Mareike Sera (Humboldt University, D)
Film as Multiverse – A Case Study in the Work of Jan Švankmajer
Panel E2: Relazionalità, presenza e interattività [Aula 3bis]
Chair: Elio Ugenti (Università Roma Tre, I)
Giuseppe Gatti (ricercatore indipendente, I)
Presence media. Verso un’ecologia dell’esperienza mediata
Bruno Surace (Università di Torino, I)
Absentia in Praesentia - Dal sublime filmico al non filmabile
Federico Biggio (ricercatore indipendente, I)
Realtà aumentata e creatività digitale. I casi di 28 e di Le Notti di Tino di Baghdad
Panel E3: Esperienza mediale e senso del sé [Aula 6]
Chair: Massimo Locatelli (Università Cattolica del Sacro Cuore, Milano, I)
Federica Villa (Università di Pavia, I), Lorenzo Donghi (Università di Pavia, I)
Dai mass media studies ai self media studies. Un primo bilancio sul fenomeno dell’esternalizzazione del Sé nelle nuove tecnologie
Deborah Toschi (Università di Pavia, I)
Pregnancy app, giochi e dispositivi tecnologici nella costruzione dell’identità genitoriale
Elisa Binda (Sapienza Università di Roma, I)
Interagire con l’ambiente. Autismo e cinema nell’esperimento Deligny
Panel E4: Immersion, from Sound to Space [Aula 7]
Chair: Adriano D’Aloia (Università Telematica Internazionale UniNettuno, I)
Valerio Sbravatti (Sapienza Università di Roma, I)
Immersed in Sound: Theoretical Reflections on Cinematic Sound Space Cognition
Silpa Mukherjee (Jawahrlal Nehru University, IND)
The New Sonotope of Item Numbers: Mapping Fractal Sensory Ecologies
Ronit Ghosh (Danube University, A)
“Perceptual information or informed perception?”: The Case of Synesthesia in Sound-Art
Panel E5: Perceptual Experience and Bodily Performance [Aula 8]
Chair: Fátima Chinita (University of Linnaeus, S)
Elaine Shemilt (University of Dundee, GB)
“We do not have bodies, we are bodies”
Laura Leuzzi (University of Dundee, GB)
Video Art Pioneers and Re-Enactment: Some Reflections upon Forms and Approaches Towards Media to Re-Enact, Re-Act and Re-Perform Early Video Artworks from the 70s and 80s
Henrik Wehmeier (University of Hamburg, D)
The Intoxicated Crackup of the Distanced View: Darren Aronofsky’s Black Swan as the Evocation of a Performative Perception
16.30 – 16.45
Coffee break
16.45 – 18.15
Panel stream F
Panel F1: Teorie e pratiche d’autore [Aula 3]
Chair: Andrea Rabbito (Università degli Studi di Enna “Kore”, I)
Ivan Pintor Iranzo (Universitat Pompeu Fabra, E)
Il gesto del silenzio, il confine e la storia nei film di Alexander Sokurov. Un approccio iconologico
Marco Dalla Gassa (Università Ca’ Foscari di Venezia, I)
Porte senza chiavi. Sull’inaccessibilità del medium/soglia
Luca Bandirali (Università del Salento, I)
Ontologia dell’opera d’arte: un dittico di Giuseppe Tornatore
Panel F2: Politics and Aesthetic Experience [Aula 3bis]
Chair: Daniela Angelucci (Università Roma Tre, I)
Sudeep Dasgupta (University of Amsterdam, NL)
Mimetic Modulations and the Aesthetic Experience of the Composite Media Subject
Edmundo Cordeiro (Universidade Lusófona, PT)
What’s an Aesthetics of Intercession? (On the Cinematographic Work of Pedro Costa)
Claudio Octavio Celis Bueno (University of Westminster, GB)
Harun Farocki’s Operational Images and the Labour of Machinic Vision
Panel F3: Forme della percezione e storia delle immagini [Aula 6]
Chair: Marco Maria Gazzano (Università Roma Tre, I)
Marie Rebecchi (École des Hautes Études en Sciences Sociales, F)
Cinema astratto e sinestesia. Dalla pittura al cinema
Valentino Catricalà (Fondazione Mondo Digitale, I)
Media Art. Nuovi modi per ripensare il cinema e i media
Elisa Bianchi (Università degli Studi di Firenze, I)
Stereopsis. Quando le gif incontrano i mobile devices
Panel F4: Scopic Regimes and Digital Images [Aula 7]
Chair: Dario Cecchi (Sapienza Università di Roma, I)
Krešimir Purgar (University of Zagreb, HR)
Post-Pictorial Condition. Ontology of Image in the Digital Age
Xinwei Zhu (University of Essex, GB)
A Media Archaeology of Alice in Wonderland: 1865-2016
Valérie Félix (independent researcher, CH)
Pulse Room by Rafael Lozano-Hemmer: A Manner to Reconsider the Trace in the Digital Interactive Environment
Panel F5: Environmental Experiences [Aula 8]
Chair: Elaine Shemilt (University of Dundee, GB)
Jungmin Lee (Harvard University, USA)
Metamorphic Animation: Movement, Plasticity, and Archivability in Bauhaus Performance
Kamil Lipiński (Adam Mickiewicz University of Poznań, PL)
Re-Mapping the Found Footage Heteropia in Danube Exodus’ Journey
Sara Castelo Branco (independent researcher, PT)
Cinema and Contemporary Art – Between Novelty and Obsolescence: The Works of João Maria Gusmão and Pedro Paiva
18.15 – 19.45
Keynote lecture 4 [Aula 1]
Torben Grodal (University of Copenaghen, DK)
Comic Entertainment, Film, and the Embodied Brain
Respondent: Ruggero Eugeni (Università Cattolica del Sacro Cuore, Milano, I)
19.45 - 21.15
Palladium Theatre
Dinner
21.15
Teatro Palladium
English Translation
Immagini Media Corpi, 2 / Images Media Bodies, 2
Filosofia, estetica, cinema. Una prospettiva geografica / Philosophy, Aesthetics, Film. A Geographical Perspective
Organizer: Roberto De Gaetano (Università della Calabria, I)
Moderator: Felice Cimatti (Università della Calabria, I)
Roberto De Gaetano (Università della Calabria, I) in dialogue with Roberto Esposito (Scuola Normale Superiore, Pisa, I)